Brad Bradley: The 100-12 months-Outdated Sports activities Photographer


Brad Bradley photographed his first Cotton Bowl in 1948 with a Graflex Velocity Graphic when he was simply 26 years outdated. When he images the 87th version of the annual school soccer sport on January 2, 2023, he will probably be 100 years outdated, having turned a century in July 2022.

Bradley has constantly coated 74 Cotton Bowls previous to 2021, which he missed because of the COVID pandemic. He’s additionally a member of the Cotton Bowl Corridor of Fame.

Brad’s Early Years

James T. “Brad” Bradley has been generally known as Brad ever since he can keep in mind. He was destined to be a farmer earlier than World Battle II interrupted his plans. After becoming a member of the companies, he ordered components for B-24 bombers within the 92nd Air Depot Group. The top of the battle noticed Bradley, a Technical Sergeant within the US Military Air Corps, honorably discharged in 1945.

On June 2, 1946, he tied the knot with Betty Laughead, whose father, Jim Laughhead (pronounced Legislationhead), was knowledgeable sports activities photographer for the reason that Nineteen Thirties. To his credit score, Laughhead even had a LIFE journal cowl of Audie Murphy, essentially the most embellished soldier of WWII, the place his picture assistant was his daughter Betty.

Bradley began serving to out his father-in-law, who was additionally a photographer for an organization that constructed B-24 bombers in Fort Price, Texas. This mentorship helped Bradley be taught the photographic ropes rapidly and the 2 turned a group.

“Most of Brad’s picture coaching got here on the job with Laughead aside from Kodak sponsored periods specializing in colour pictures and architectural design,” says Floyd Stanley, who’s married to Bradley’s daughter Iris.

“He [Laughead] was a superb trainer,” Bradley tells PetaPixel. “He had persistence with me. One of many issues that I did that I used to be fairly pleased with was not solely did I’ve the duty of pictures but additionally, he tapped me on the shoulder and stated exit and name on some companies and see if we are able to get some work within the metropolis of Dallas.”

This led to a long-term relationship producing publication pictures for the Ford Motor meeting plant in Dallas.

March, 2022. Brad Bradley recreates gaining perspective on the motion earlier than bringing a Leica M5 to his eye. Photograph by Tim Pugliese.

“Huck ‘n’ Buck” Soccer Images

Motion pictures was not widespread in soccer then, and the duo began the enduring “huck ‘n’ buck” motion pose for soccer gamers. This was a way of posing athletes to look as in the event that they had been in motion.

Chicago Bears coaching camp, in all probability early Sixties. Shot from the knees on a Velocity Graphic digicam mounted on an angled steel body nailed to the sphere, with a pre-fixed focus. Dick Butkus prepares to launch into the enduring “Dying Dive” posed motion shot. You’ll be able to faintly see the chalk mark that Butkus is meant to hit earlier than leaving his toes. © James T. “Brad” Bradley
Dick Butkus gleefully completes the “Dying Dive” posed motion picture sequence. © James T. “Brad” Bradley

The poses might look contrived by in the present day’s requirements, however even Sports activities Illustrated was working solely illustrations on its cowl and inside for colour motion photographs in these days.

The “huck ‘n buck” idea started when the photographic duo was taking pictures at Mississippi State, and one of many Bulldogs’ linebackers was having issue getting his footwork proper for a superb “posed” motion pic. The photographers requested him to run laterally whereas crossing his legs and shifting his arms backward and forward.

Progress was solely made after many makes an attempt when a teammate requested the linebacker to do the Hucklebuck Dance, which was all the fashion on campuses within the Nineteen Fifties.

Atlanta Falcons spring coaching, 1972. Roosevelt Manning of the Atlanta Falcons follows by means of on the enduring “Dying Dive” picture sequence. He may seem like he was having enjoyable – they usually all did, says Brad. This picture was made right into a life-size cutout and posted within the Faculty Soccer Corridor of Fame “Huck ‘n Buck” exhibit that includes Bradley and Laughead. © James T. “Brad” Bradley
1972 Spring Coaching, Atlanta Falcons. Shot from the knees on a Velocity Graphic digicam mounted on an angled steel body nailed to the sphere, with a pre-fixed focus. Roosevelt Manning provides his title to the scores of athletes who’ve participated within the iconic “Dying Dive” posed motion picture. © James T. “Brad” Bradley

The trendy that means of the phrase viral was not in use in these days, however in any respect soccer fields, photographers quickly started asking their athletes to return “Huckin and Buckin.” And an ideal phrase for posed-action pictures was born.

Capturing Sports activities with a Velocity Graphic View Digicam

The Velocity Graphic was a press digicam — a medium/giant format view digicam utilized by press photographers within the early to mid-Twentieth century — produced by Graflex in Rochester, New York. The “pace” within the title refers back to the most shutter pace of 1/1000 sec. utilizing the focal aircraft shutter.

The digicam was very sluggish to make use of. Firstly, slit width and spring pressure needed to be chosen for the focal aircraft shutter. You then needed to insert a movie holder, open the lens shutter, cock the focal aircraft shutter, take away the darkish slide in entrance of the movie, focus the digicam, after which click on the shutter.

Graflex Velocity Graphic David, CC BY-SA 2.0

“You didn’t have a lot depth of discipline,” says Bradley. “After all, due to the pace of the sport, we had to make use of a better [shutter] pace on the digicam, and that reduces the depth of discipline. So, we needed to anticipate the place the soccer was going to be.

“We shot from the sideline. The one time we had been ever in a unique location was for an finish zone play.”

Brad along with his Velocity Graphic © Tim Pugliese

Modifying Velocity Graphics to Take Roll Movie Holders

One of many issues was utilizing sheet movie in movie holders, which allowed simply two exposures per holder by flipping it after every shot. And photographers must carry a number of preloaded movie holders onto the sphere.

1965 spring coaching, Tuscaloosa, Alabama. Coloration transparency shot from a hand-held Velocity Graphic digicam, 90-100mm lens, 100-125 shutter. Quarterback Joe Namath poses for the digicam – as he nonetheless does in the present day. © James T. “Brad” Bradley
Might 3, 2019, SMU Athletics Corridor of Fame Awards Ceremony, SMU. Brad Bradley is all dressed up as he receives the SMU Athletics Corridor of Fame award. He’s solely the second individual to ever obtain this award, following legendary SMU coach Hayden Fry. Photograph by SMU. © Kevin Gaddis Jr

“It was a lot simpler to reload after we began utilizing 90 mm movie that Kodak had,” explains the centenarian. “After all, we needed to get in a darkish room to alter that movie. After Kodak made the 90 mm movie that was precisely 4 x 5, it was potential to make use of it in a Velocity Graphic.

“After we acquired the 90 mm movie, our soccer exercise was a lot simpler than it ever was earlier than. It was only a depressing factor to alter all of the movie holders earlier than… It was type of like a brand new life for us.

“The Kodak cartridge held about 75 pictures, I imagine. We had a man who repaired our cameras and was additionally good at constructing issues. He drilled holes into the again of our cameras, and we had screws that may maintain the movie cartridge up in opposition to the cameras. We had perhaps a dozen of these movie holders and that’s all we would have liked.”

Jan. 1, 1971, Texas vs. Notre Dame, Cotton Bowl. Kodak Ektachrome 35 mm slide. Shot from the sideline with a hand-held Leica digicam (in all probability M2), 90mm lens. Billy Dale (22) can’t escape a Preventing Irish tackler as Notre Dame ruins an undefeated season and 30-game profitable streak for the Longhorns. Notre Dame 24-11. © James T. “Brad” Bradley
Baltimore Orioles Spring Coaching. Miami, in all probability February 1968. Shot hand-held with a Velocity Graphic digicam and Kodak 3.5×5 colour transparency movie, 100-150 shutter at in all probability f8. Brooks Robinson, Corridor of Fame third baseman for the Baltimore Orioles poses for the season’s Topps baseball card. Zoom in on the bat and you may learn his signature on the barrel. “I had actual good luck with my focus,” says Brad. © James T. “Brad” Bradley

SMU, Dallas Cowboys, and the NCAA

Bradley and Laughead began with SMU [Southern Methodist University] in 1947 once they acquired the contract to do yearbook photos.

“Our job was to {photograph} the coed physique,” remembers Bradley. “Up till that point, Laughead had achieved sports activities for SMU, primarily soccer. It was a studying expertise for us, and alongside the way in which, SMU was having considered one of its finest years in soccer, and although it was plenty of work, it was an ideal pleasure to be round at the moment.

“That affiliation has lasted all these years, though we don’t do as a lot work as we as soon as did as a result of they’ve added photographers to their employees.”

November 28, 1968. Dallas Cowboys vs. Washington Redskins at Dallas. Shot from the sideline with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 or perhaps f8 aperture based mostly on the obvious accessible mild and depth of discipline, 1/100 shutter, predicted focus prematurely of play, 90mm movie. Jethro Pugh (75) continues to make life tough for the Redskins as quarterback Jim Ninowski (11) digs in. Cowboys 29-20. © James T. “Brad” Bradley
Nov. 11, 1965. Browns vs. Cowboys, Dallas Cotton Bowl. Shot from the sideline with a hand-held Velocity Graphic digicam, 90-100mm lens, f8 or perhaps f11 aperture based mostly on the obvious accessible mild and depth of discipline, 1/100 shutter, predicted focus prematurely of play, 90mm movie. Jim Brown (32) gained 99 yards and the Browns overcame a late Cowboys rally to win 24-17. © James T. “Brad” Bradley

Bradley had a ring-side view of the beginning of the Dallas Cowboys franchise within the Sixties. He has photographed Tex Schram, the unique president and GM of the Dallas Cowboys franchise of the Nationwide Soccer League.

Oct. 21, 2015, SMU Athletic Discussion board, Dallas. A tall order: Brad Bradley greets Shaquille O’Neal after taking VIP pictures at a reception previous the SMU Athletic Discussion board program. Shot with an iPhone digicam. Photograph by James “Jimmy” Bradley 2nd. © James T. “Brad” Bradley
Oct. 11, 1963, Navy vs. SMU, Dallas Cotton Bowl. Shot from the sideline with a hand-held Velocity Graphic digicam, digicam mounted flash, 90-100mm lens, possible f8 aperture, 1/200 shutter, predicted focus prematurely of play, 4×5 movie. Roger “The Dodger” Staubach works his magic vs. SMU in his Heisman Trophy-winning season, however can not overcome the Mustangs, 32-28. © James T. “Brad” Bradley

Because the Nationwide Collegiate Athletic Affiliation (NCAA) grew, so did the scope of Bradley’s work.

“Throughout these years, my job was to go to wherever the NCAA had yearly conferences in the course of the second week of January, after the bowl video games,” Bradley says. “We went all around the whole nation over a interval of about 7 or 8 years. I’ve by no means loved something greater than all of that as a result of, in that course of, we met people who we had labored with in soccer. […]”

“LSU [Louisiana State University] was primarily liable for that [growth]. The athletic director, in about 1954, stated, ‘I need to contain you extra with Southeast Convention faculties.’ With that, he picked up the cellphone and known as Auburn, the second college we did after LSU. After that, Mississippi State, Ole Miss, Georgia, Georgia Tech, Florida [and more].”

February 19, 2016, Doak Walker Awards Banquet, Dallas. Brad Bradley (middle) instructs Alabama Doak Walker and Heisman Trophy winner Derrick Henry (standing) as Oklahoma State Doak Walker Legend and Heisman Trophy winner Barry Sanders battles the flu. After sitting for photos with VIPs the earlier night time, Henry said, “I would like my image taken with THAT man,” motioning towards Brad. Shot with an iPhone digicam. Photograph by James “Jimmy” Bradley 2nd.

Bradley has additionally photographed skilled baseball groups, together with the Cardinals, Cubs, Twins, Braves (Milwaukee), Orioles, Yankees, Pink Sox, Reds, Indians, Tigers, White Sox, Senators (now the Twins), Mets, A’s, Phillies, Angels, Padres, Giants, Pirates, Giants, Dodgers, and Brewers.

The sports activities photographer additionally had an task of photographing President Ronald Reagan at Dallas Love Discipline Airport.

An Eyewitness to Integration in Soccer

In 1948, Penn State had two Black gamers – Wally Triplett and Dennie Hoggard.

Triplett turned the primary African-American to play within the beforehand segregated Cotton Bowl, though he needed to keep in a separate facility from the remainder of his teammates as a result of no lodges within the Dallas space would enable blacks and whites to remain collectively. Triplett scored the ultimate landing in a 13-13 tie with SMU. Professional Soccer Corridor of Fame

“SMU completely had no concern about enjoying the sport,” remembers Bradley. “To me, the climax was, the sport was a tie, and after the sport was over, each groups got here again to SMU and sat all the way down to dinner on the pupil union. To me, equally [great], was the way in which that SMU dealt with Jerry LeVias [first Black player in the Southwest Conference]. I totally loved Jerry, and I feel he considers me a pal.”

Jan. 1, 1949. Oregon vs. SMU at Cotton Bowl in Dallas. Shot with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 aperture, 1/100 shutter, predicted focus prematurely of play, 4×5 movie. An SMU Mustangs runner (possible Kyle Rote) confronts Oregon defenders within the open discipline as SMU wins 21-13. © James T. “Brad” Bradley
Oct. 23, 1960, Dallas Cowboys vs. St. Louis Cardinals at St. Louis. Shot from the sideline with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 or perhaps f8 aperture based mostly on the obvious accessible mild and depth of discipline, 100-125 shutter, predicted focus prematurely of play, 4×5 movie. The Cardinals kicker sends the ball by means of, if not into, the road of scrimmage. St. Louis 12-10. © James T. “Brad” Bradley

When USC got here to Alabama in 1970, it was the primary time a totally built-in group was enjoying within the state.

“Alabama known as me and requested me to return to the sport,” says Bradley. “I keep in mind particularly that each groups had been on the sphere, and coach Bear Bryant was standing in one of many finish zones.

“I went down there and talked to him a bit of bit. He was all the time pleasant to me anyway. He instructed me he can be glad when the sport was over. I feel he considerably dreaded enjoying the sport. It ended up in such a method that the Southeastern Convention determined that to be extra aggressive, they needed to recruit Black gamers.”

Age is Only a Quantity, Even When it’s 100

Bradley says he owes his large power and energy at age 100 to the pleasure of his job.

“I simply felt so good, so constructive, in regards to the job that we had been doing that it gave me the braveness to proceed,” says the sports activities shooter. Right this moment if I’ve a job in pictures, I really feel prefer it must be achieved in the absolute best method.

“I used to be blessed with power and energy to endure some components of the sport that had been tiring. I’ve all the time been in a position to relaxation a bit of bit after which get again up and do it once more.”

November 28, 1968, Dallas Cowboys vs. Washington Redskins at Dallas. Shot from the again of the tip zone with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 aperture, 1/100 shutter, predicted focus prematurely of play, 90mm movie. Jethro Pugh (75) and George Andrie (66) set their sights on Washington quarterback Jim Ninowski (11). Cowboys 29-20. © James T. “Brad” Bradley
Oct. 30, 1960, St. Louis Colts vs. Dallas Cowboys, Dallas Cotton Bowl. Shot from the sideline with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 aperture based mostly on the obvious accessible mild and depth of discipline, 100-125 shutter, predicted focus prematurely of play, 4×5 movie. As was the case with a lot of the Cowboys’ inaugural season, Dallas quarterback Eddie LeBaron struggles to search out passing room in opposition to the Cardinals. St. Louis 12-10. © James T. “Brad” Bradley

In 1984 New York Mayor Ed Koch organized a ticker-tape parade honoring triumphant U.S. Olympic athletes with a complete medal tally of 250. Brad walked your complete parade backward as he needed to give attention to the motion constantly.

Oct. 23, 1960. Dallas Cowboys vs. St. Louis Cardinals at St. Louis. Shot with a hand-held Velocity Graphic digicam, 90-100mm lens, 5.6 or perhaps 4 aperture based mostly on the apparently accessible mild, 100-125 shutter, predicted focus prematurely of play, 4×5 movie. David Sherer of the Dallas Cowboys punts from deep in his personal territory. St. Louis 12-10. © James T. “Brad” Bradley
Jan. 1, 1949, Oregon vs. SMU, Cotton Bowl. Shot with a hand-held Velocity Graphic digicam, 90-100mm lens, 5,6 aperture, 1/100 shutter, predicted focus prematurely of play, 4×5 movie, adverse corrupted with obvious water droplet. Oregon makes an attempt a late-game comeback bid with this landing go, however the SMU working sport of Doak Walker and Kyle Rote was an excessive amount of to beat. SMU 21-13. © James T. “Brad” Bradley

Bradley’s first digital digicam was the Nikon D90, however he didn’t shoot any sports activities pictures with it. His first digital digicam for work was the Nikon D300S.

“Final 12 months I did the Cotton Bowl Corridor of Fame induction, shot photos within the press field on the sport, did SMU Athletic Discussion board, Tate Lecture Sequence, and Doak Walker Award,” says the now digital sports activities photographer.

Brad works a group picture shoot on a blustery day with a Nikon D300 digicam.

And no, Bradley has not taken up taking pictures pictures with a smartphone… but.


If you recognize different photographers nonetheless working at age 100 wherever on the earth, please let us know as we could also be concerned about telling their story.


In regards to the writer: Phil Mistry is a photographer and trainer based mostly in Atlanta, GA. He began one of many first digital digicam lessons in New York Metropolis at The Worldwide Middle of Images within the 90s. He was the director and trainer for Sony/Common Images journal’s Digital Days Workshops. You’ll be able to attain him right here.


Picture credit: Header picture (composite) © James T. “Brad” Bradley

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