Sony FX9 vs RED KOMODO vs URSA Mini Professional G2 – Which One is Proper for You

There are such a lot of cinema cameras out as we speak. Happily, you may’t actually go flawed with any of them whether or not meaning a pocket digital camera for unbiased shooters or a full-fledged mannequin prepared for the very best budgets.

Within the candy spot for owner-operators are a brand new choice with a spread of various specs and configurations and we’re three as we speak: the Sony FX9, RED KOMODO, and Blackmagic URSA Mini Professional G2.

All of those cameras are very succesful however they every have their very own perks and disadvantages. Gear Focus takes a have a look at every to assist decide which possibility is finest for various individuals.

Marcos Rocha, a contract director of images, is testing out all these cameras for this video. Beginning with the RED KOMODO he explains that it’s nice for business work.

The 6K uncooked footage out of the digital camera is unimaginable to work with. Nonetheless, it isn’t effectively suited to long-form work like documentaries or interviews as a result of the recordsdata are so massive and the uncooked footage wants extra time in submit.

You’ll be able to simply use ProRes, however that considerably defeats the advantages of utilizing the RED. Additionally, going to a smaller decision in uncooked, like 4K, requires a crop in on the sensor. 

Picture Credit score: RED

One other lacking level is that there isn’t a high-quality inside audio system and solely a mediocre 3.5mm enter. Some advantages of the KOMODO are within the compact design and use of the Canon RF mount.

This lets you adapt loads of different lenses, together with EF lenses with full digital assist.

RED is a giant identify within the trade and you’ll possible discover purchasers who need to see the particular person they rent utilizing a big-name digital camera. This may verify that field.

Blackmagic is up subsequent with the URSA Mini Professional G2. That is nearer to a full-size cinema digital camera, although that “Mini” designation is acceptable because it sits in between the FX9 and KOMODO on this lineup.

Blackmagic has finished an excellent job of delivering a line of cameras, together with the Pocket collection, that every one can be utilized with one another pretty seamlessly. That could be a big profit. One benefit all Blackmagic cameras appear to have is of their well-designed menus. The URSA G2 shares that intuitive system.

Picture Credit score: Blackmagic Design

The URSA is a raw-capable digital camera at as much as 4.6K and naturally ProRes is obtainable. A step up from the KOMODO is that the URSA is ready to accommodate inside NDs behind its Canon EF mount. Autofocus is there however isn’t price utilizing. Audio is feasible to configure straight into the digital camera with two XLR inputs obtainable.

It’s a strong decide for indie movie work but it surely isn’t extremely requested for business work. There additionally appears to be some situation with timecode syncing with audio in his expertise which could possibly be a problem if you’re working with a separate audio system.

Third on the record is the Sony FX9. This was picked up as a result of Marcos was getting quite a lot of requests from businesses particularly for this digital camera. It has lots going for it just like the URSA due to its bigger, extra complete physique. There are XLR inputs, an inside digital ND, and extra.

Picture Credit score: Sony

The place Sony dominates on this competitors is with autofocus. The Sony system is dependable in comparison with Blackmagic’s which isn’t work utilizing in any respect and RED’s which nonetheless wants some tweaking.

Picture high quality is nice and it does bump as much as a full-frame sensor over the Tremendous 35mm sensors of the opposite choices. The FX9 simply works and has every thing you would possibly want. It really works for essentially the most number of shoots, together with documentaries.

Clearly, Sony’s rival is the most costly of the bunch. Blackmagic is available in at round $4,000 as of late, RED clocks in at $6,000, and the FX9 is $11,000.

In abstract, the RED is nice for business work. Blackmagic is available in for indie movie productions and smaller shoots. Sony does effectively with company and documentary work.

When you decide up any of those cameras you’ll possible be simply advantageous for every thing as understanding the digital camera is a very powerful factor.

What do you consider these cameras? Which might you select?

[source: Gear Focus]

Order Hyperlinks:

  • Sony FX9 Cinema Digicam (B&H)
  • RED KOMODO 6K Cinema Digicam (B&H)
  • Blackmagic Design URSA Mini Professional 4.6K G2 Cinema Digicam (B&H, Amazon)

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